Tuesday, December 30, 2008

ACK-048 & 049; T-2 &3: Sukhu & Dukhu; The Pious Cat and other tales; Tinkle Collection 1; Tinkle collection 11(World Folk Tales-02)

We spend January 1 walking through our lives, room-by-room, drawing up a list of work to be done, cracks to be patched. Maybe this year, to balance the list, we ought to walk through the rooms of our lives... not looking for flaws, but for potential.

A Relaxed Mind, A Peaceful Soul, A Joyful Spirit & Heart full of Love. All these are my Prayers for You......

Wish a Happy New Year

A folktale is a fictitious story told to amuse and amaze the listeners. The action takes place in a far-off time and place : “Once upon a time, in a faraway kingdom...” These stories feature kings and princesses, giants and dragons, fairies and sorcerers, magical objects and talking animals.

What does folktale mean?

Folktales are a type of folk literature (genre) that has 6 elements:

-They usually do not have an identifiable author or often retold.

-They originate as oral tellings.

-They have characters that are either all "bad" or all "good".

-They have fantastic or unrealistic elements (a talking computer....)

-A moral or lesson that is easy to figure out.

-The folktale is set in a vague, historical past "long ago"


Definitions of Folktale on the Web:

• A tr
aditional tale.


• A short narrative handed down through oral tradition, with various tellers and groups modifying it, so that it acquired cumulative authorship.


• A narrative form, as an epic, legend, myth, fable, etc., that is or had been retold within culture for generations and is well known through repeated storytelling, as an Anansi tale.


• A narrative that has been retold and is well known within a culture.


• A simple, timeless story that deals with the customs,traditions, and beliefs of ordinary people.


• A tale circulated by word of mouth among the common folk


• The word folklore was first used by the English antiquarian William Thoms in a letter published by the London Journal Athenaeum in 1846.


• A tale or story that is part of the oral tradition of a people or a place


• A traditional narrative, usually anonymous, handed down orally -- e.g., fables, fairy tales, legends, etc.


Some folktales :

An out of print ACK

Folktales from Bengal

Download Comics (9.35 MB)

An out of print ACK

Folktales from Rajasthan

Download Comics (12.23 MB)

Tinkle Collection #1

Download Comics (5.61 MB)

Tinkle collection #11 (World Folk Tales-02)

Download Comics (16.82 MB)

These are Ajay's contributions. All thanks & credits go to him.

Monday, December 22, 2008

ACK-047 : Jesus Christ

Facebook Graphics Myspace Fairies Gothic Angels Mermaids

May this Christmas end the present year on a cheerful note and make way for a fresh and bright new year.
Here’s wishing you a Merry Christmas and a Happy New Year!

Major Religions of the World
Ranked by Number of Adherents

(Sizes shown are approximate estimates, and are here mainly for the purpose of ordering the groups, not providing a definitive number. This list is sociological/statistical in perspective.)

1. Christianity: 2.1 billion
2. Islam: 1.5 billion
3. Secular/Nonreligious/Agnostic/Atheist: 1.1 billion
4. Hinduism: 900 million
5. Chinese traditional religion: 394 million
6. Buddhism: 376 million
7. primal-indigenous: 300 million
8. African Traditional & Diasporic: 100 million
9. Sikhism: 23 million
10. Juche: 19 million
11. Spiritism: 15 million
12. Judaism: 14 million
13. Baha'i: 7 million
14. Jainism: 4.2 million
15. Shinto: 4 million
16. Cao Dai: 4 million
17. Zoroastrianism: 2.6 million
18. Tenrikyo: 2 million
19. Neo-Paganism: 1 million
20. Unitarian-Universalism: 800 thousand
21. Rastafarianism: 600 thousand
22. Scientology: 500 thousand

(~ http://www.adherents.com/Religions_By_Adherents.html)

Jesus Christ is the central figure of Christianity, one of the world’s largest religions, and is revered by most Christian churches as the Son of God and the incarnation* of God. Islam considers Jesus a prophet, and he is an important figure in several other religions. His teachings and deeds are recorded in the New Testament, which is essentially a theological document that makes discovery of the “historical Jesus” difficult. The basic outlines of his career and message, however, can be characterized when considered in the context of 1st-century Judaism and, especially, Jewish eschatology.

Name and title

Ancient Jews usually had only one name, and, when greater specificity was needed, it was customary to add the father’s name or the place of origin. Thus, in his lifetime Jesus was called Jesus son of Joseph (Luke 4:22; John 1:45; 6:42), Jesus of Nazareth (Acts 10:38), or Jesus the Nazarene (Mark 1:24; Luke 24:19). After his death, he came to be called Jesus Christ. Christ was not originally a name but a title derived from the Greek word christos, which translates the Hebrew term meshiah (Messiah), meaning “the anointed one.” This title indicates that Jesus’ followers believed him to be the anointed son of King David, whom some Jews expected to restore the fortunes of Israel. Passages such as Acts of the Apostles 2:36 show that some early Christian writers knew that the Christ was properly a title, but in many passages of the New Testament, including those in Paul’s letters, the name and the title are combined and used together as Jesus’ name: Jesus Christ or Christ Jesus (Romans 1:1; 3:24). Paul sometimes simply used Christ as Jesus’ name (e.g., Romans 5:6).

Summary of Jesus’ life

Although born in Bethlehem, according to Matthew and Luke, Jesus was a Galilean from Nazareth, a village near Sepphoris, one of the two major cities of Galilee (Tiberias was the other). He was born to Joseph and Mary shortly before the death of Herod the Great (Matthew 2; Luke 1:5) in 4 bc.

Joseph took her to Bethlehem to register for a census. While there, Mary gave birth to Jesus. She laid him in a manger because there was no room at the inn. Shepherds visited Jesus in Bethlehem. Later the "Wise Men" or "Magi" bring gifts to the infant Jesus after following a star which they believe was a sign that the King of the Jews had been born (Matthew 2:1–12). King Herod hears of Jesus' birth from the Wise Men and tries to kill him by massacring all the male children in Bethlehem under the age of two (the "massacre of the innocents"). The family flees to Egypt and remains there until Herod's death, whereupon they settle in Nazareth to avoid living under the authority of Herod's son and successor Archelaus (Matthew 2:19–23).

According to Matthew and Luke, however, Joseph was only his father legally. They report that Mary was a virgin when Jesus was conceived and that she “was found to be with child from the Holy Spirit” (Matthew 1:18; cf. Luke 1:35). Joseph is said to have been a carpenter (Matthew 13:55), that is, a craftsman who worked with his hands, and, according to Mark 6:3, Jesus also became a carpenter.

Luke (2:41–52) states that as a child Jesus was precociously learned, but there is no other evidence of his childhood or early life. As a young adult, he went to be baptized by the prophet John the Baptist and shortly thereafter became an itinerant preacher and healer (Mark 1:2–28). In his mid-30s, Jesus had a short public career, lasting perhaps less than one year, during which he attracted considerable attention. Some time between ad 29 and 33—possibly AD 30—he went to observe Passover in Jerusalem, where his entrance, according to the Gospels, was triumphant and infused with eschatological significance.

Jewish leaders wanted to kill Jesus. They accused him of blasphemy, and had Jesus arrested. Pontius Pilate ( the Prefect of the Roman Judaea province from the year AD 26 until AD 36) is best known as the man who was the judge at the trial of Jesus and ordered his crucifixion. He wanted to release Jesus. In his last attempt to spare Jesus' life, Pilate offers the mob a chance to free him, but they choose Barabbas (a thief).


In Mark, Jesus is stripped, flogged, mocked, and crowned with thorns. He is crucified between two thieves, and his cross states that he is being executed for aspiring to be the king of the Jews. He begins to recite Psalm 22, "My God, my God, why hast thou forsaken me." He utters a loud cry and dies. According to all four Gospels, Jesus died before late afternoon at Calvary or Golgotha. In Luke, Jesus faces his crucifixion stolidly. He asks God to forgive those who are crucifying him, possibly the Romans and possibly the Jews. One of the thieves states that Jesus has done nothing wrong and asks Jesus to remember him in the Kingdom, and Jesus replies that the thief will be with him in Paradise.


His body was placed in the new tomb of a rich man named Joseph of Arimathea. Jesus had promised the disciples he would come back after he died. His enemies knew this. So, to prevent anyone from stealing the body, they had soldiers guard the tomb of Jesus.


On the third day after Jesus died, an angel descended, and the soldiers fled. The disciples came and found an empty tomb. Jesus had risen from the dead! He later appeared to many believers, commanding them to teach and baptize others.

His disciples became convinced that he still lived and had appeared to them. They converted others to belief in him, which eventually led to a new religion, Christianity.

(~based on info from http://www.britannica.com/EBchecked/topic/303091/Jesus-Christ )

Download Comics

Download Comics HQ
(51.26 MB)

Hindi Version is available HERE. CW has posted in his blog.

All thanks & credits for comics go to Ajnaabi.

Recommend to read about:

Jesus Christ In Bible & Quran:

1. http://www.jamaat.net/cis/ChristInIslam.html

2. http://www.christianity-islam.com/jesus.html


1. http://en.wikipedia.org/wiki/Jesus

2. http://www.christiananswers.net/jesus/home.html

3. http://www.newadvent.org/cathen/08377a.htm

Mary (mother of Jesus):

1. http://en.wikipedia.org/wiki/Mary_(mother_of_Jesus)

2. http://www.christiananswers.net/dictionary/mary-motherofjesus.html

Herod the Great:

1. http://www.livius.org/he-hg/herodians/herod_the_great01.html

2. http://en.wikipedia.org/wiki/Herod_the_Great

Pontius Pilate:

1. http://en.wikipedia.org/wiki/Pontius_Pilate

2. http://www.123exp-biographies.com/t/00034101277/

3. http://www.livius.org/pi-pm/pilate/pilate01.htm


Wednesday, December 10, 2008

ACK-046: Gandhari

[Update- 13 January 2009, 9:30 PM IST]
Anon has scanned and provided the cover pages of this ACK. They are being uploaded here. Prabhat sent these in a mail to me. You can add them to the original comic download. Enjoy.


(May love prevail over hatred, may ACK-47 score over AK-47)

Character info from Wikipedia:
Gāndhārī (Sanskrit: गांधारी) is a character in the Hindu epic, the Mahābhārata. In the epic, she was an incarnation of Mati, as the daughter of Subala, the king of Gandhara, a region spanning northwestern Pakistan and eastern Afghanistan, from which her name is derived. Gandhari's marriage was arranged to Dhritarashtra, the eldest prince of the Kuru kingdom.

Gandhari voluntarily blindfolded herself throughout her married life. Her husband Dhritarashtra was born blind, and on meeting him and realizing this, she decided to deny herself the pleasure of sight that her husband could never relish.

Gandhari bore a hundred sons, (collectively known as the Kauravas), and one daughter Dushala who married Jayadratha. The Kaurava, principally Duryodhana and Dushasana, were the villains of the Mahābhārata, and were all killed in their war against their cousins, the Pandava, at Kurukshetra.

Although Gandhari's sons were portrayed as villains, the Mahābhārata attributes high moral standards to Gandhari. She repeatedly exhorted her sons to follow dharma and make peace with the Pandavas. Gandhari was especially close to Kunti (Mother of Pandavas) who respected her like an elder sister.

Gandhari made a single exception to her blindfolded state, when she removed her blindfold to see Duryodhana rendering his entire body except his loins invulnerable to any foe. This was however to prove fruitless as Bhima smashed Duryodhana's thighs in their decisive encounter on the eighteenth day of the Kurukshetra battle, a move both literally and figuratively below the belt.

Gandhari was also devout; in particular an ardent worshipper of Lord Shiva. Gandhari's sacrifice of her eyesight and her austere life was to grant her great spiritual power. Gandhari's anguish in the loss of her hundred sons resulted in her cursing Krishna in effect ensuring the destruction of the Yadavas. It is also said that through a small gap in the napkin in which her eyes were blindfolded, her gaze fell on Yudhisthira's toe. The toe was charred black due to her wrath and power. Gandhari ended her life with her husband and her sister-in-law Kunti in the Himalayas, where they died in a forest fire.

ACK's description of the character:

Stories of many great women, their achievements and their sufferings, are recounted in the Ramayana and the Mahabharata. Sita, Kunti and Draupadi are among the better known. These women went through many painful ordeals, but they had one hope to sustain them - they had noble children.The case of Gandhari, the mother of the Kauravas is different. She was a good women who gave birth to wicked sons. All around her there was treachery. Her husband was weak and ambitious, her brother Shakuni, was an arch-villain and her sons were full of violence. Among them, she alone stood for virtue and truth - a single lotus in a marshy swamp.

Author: Gayatri Madan Dutt
Illustrator: Dilip Kadam

(33 pages, 1280 px wide, 10.7 MB)

Unfortunately, the copy of the comic I am having (and from which these scans are made) is coverless. Prabhat made several efforts to arrange the cover. Ajay has the comic in bounds. He provided the snap from his digital camera. Ajnaabi worked on the low resolution thumbnail available from official ACK site, but I finally kept the one I had created from the same source (thumbnail). It is attached with the comic download link. In case someone has the proper/better quality cover of this comic please send its scan for the benefit of the all fellow ACK lovers.

Monday, December 1, 2008

ACK-045: Nagananda

An out of print ACK
Nagananda (Joy of the Serpents) is a Sanskrit play attributed to king Harsha (606 C.E. - 648 C.E.).

Nagananda is one of the best Sanskrit dramas in five acts dealing with the popular story of Jimutavahana's self-sacrifice to save the Nagas. The unique characteristic of this drama is the invocation to lord Buddha in the Nandi verse, which is considered as one of the best examples of the dramatic compositions.

Harsha was a distinguished and creative patron of religions and the arts. He lavished gifts on Buddhist institutions, and it is clear that he was profoundly influenced by Buddhist thought and practices. Still, there is no evidence that he became a Buddhist; rather it would seem that he remained a devotee of Shiva. Late in his life he may have become more concerned with the prosperity of Buddhist institutions as he emulated the manner of Asoka Maurya.

Kings and princes of India prided themselves on the accomplishments of artists, scholars, and poets whom they attracted to their courts. Harsha was no exception. And he had reason to be proud, for in his court were such great literary personalities as Banabhatta and Mayura.

Harsha's participation in the cultured life of his court was more direct than that of most kings, and it is in his personal contribution to Sanskrit literature that he clearly overshadows them. To him are assigned three plays: Priyadarsika, Ratnavali, and the Nagananda. In addition, he is credited with two significant poems on Buddhist themes--the Ashtamahasricaityastotra (Praise to Eight Grand Caityas [Buddhist assembly halls]) and Suprabhatastotra (Laud to Morning)--and a tract on grammatical gender, the Linganusasanam. Harsha's authorship has been disputed on several occasions, but no decisive contrary arguments have been proposed.

The Priyadarsika appears to be the earliest of Harsha's plays. It and the Ratnavali deal with the amorous adventures of the king Vatsa, his queen Vasavadatta, and newcomers to the royal harem. Both plays borrow from the earlier works of Bhasa and Kalidasa (especially the latter's Malavikagnimitra) and are based ultimately on material in the collection Brhatkatha. These plays lack thematic novelty but sustain interest through brisk dialogue. Both are frequently cited by later writers on dramatic theory and technique.

Harsha's Nagananda is his most important play. This five-act drama draws again on the Brhatkatha for the substance of its first three acts. In them, the hero, Jimutavahana, Prince of the Vidyadharas, meets and marries the Siddha princess Malayavati. To that point, the romance of the fairy prince and princess is quite conventional.

The mood of the play changes sharply in the fourth act. Jimutavahana discovers mounds of skeletons which evidence the daily sacrifice of serpents to the celestial bird Garuda. The hero resolves to offer his own body so that the serpents may be spared (a type of resolution very familiar in Buddhist literature). At the drama's conclusion it is the non-Buddhist goddess Gauri, however, who restores the bodhisattva, Jimutavahana, to life. In this attractive and moving drama, Harsha combined Buddhist and "Hindu" themes adroitly and uniquely, and through it one sees clearly his artistic and political genius.

With Harsha's death passed an age unduplicated in Indian history. There would be other Hindu political structures more extensive and longer-lived than Harsha's; and there would appear Sanskrit authors more facile and ingenious than he. But India has not produced again an individual of such wide-ranging talents who could wield the sword, the scepter, and the pen with equal authority.

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Download Comics (High Quality) (23 MB)

It's an Anonymous contribution.